The Jimi Hendrix Experience Worldwide Tour
Jimi Hendrix’s 1967 debut album, Are You Experienced, established his genius. The 200-some shows he played to support the album assured his legend. Backed by his ecstatically indulgent English rhythm section — bassist Noel Redding and drummer Mitch Mitchell — Hendrix did nothing short of liberate the electric guitar, turning each show into a pyrotechnic exploration. “I thought, ‘My God, this is like Buddy Guy on acid,’ ” Eric Clapton later recalled. For the U.S., the coming-out party was the Monterey Pop Festival, where Hendrix set his guitar ablaze, terrifying the fire marshal while leaving the crowd spellbound. As the Experience toured that year, they played alongside Pink Floyd and Cat Stevens in every type of venue, from theaters to biker bars. “We also did a graduation ball in Paris in March 1967, a really plush place,” Mitchell recalled. “There was an oompah band on before us, and they would not leave the stage. I remember one of our roadies, in a final act of desperation, pushing the trombonist’s slide back into his mouth – blood and teeth everywhere.” When the shows went right, however, Hendrix was a tour de force. His sense of showmanship went back to his years as a sideman with Little Richard; dressed in radiant psychedelic frills, he banged the neck of his guitar, bit its strings and played it behind his head. “With Jimi, it was a theater piece,” Soft Machine drummer and onetime Hendrix tourmate Robert Wyatt once observed. “The drama, the pace, the buildups and drops.” The peak Summer of Love moment came in early June, when the Experience played London. With the Beatles in the crowd, Hendrix opened with the title track from Sgt. Pepper’s Lonely Hearts Club Band, which had been released just two days earlier. “1967 was the best year of my life,” he declared later. “I just wanted to play and play.” Kory Grow
Elvis Comeback Special
“Elvis was hardly ever nervous,” says drummer D.J. Fontana, remembering the NBC special that relaunched Presley’s career after years in Hollywood. “But he was then.” The highlight: an intimate sit-down set with his band, Fontana and guitarist Scotty Moore, that was almost like catching Elvis at the Louisiana Hayride back in 1954. “Performing with Elvis was amazing,” remembers Darlene Love, who sang backup for Presley on the show, “because we didn’t really know what to expect from him.” K.G.
Elton John at the Troubadour
When Elton John took the stage at Los Angeles’ Troubadour for the first night of his six-date residency, he was a little-known 23-year-old pop singer with thick glasses and greasy hair who had only recently changed his name from Reginald Kenneth Dwight. When the show was over, Elton was a sensation. The stakes couldn’t have been higher: His debut LP, which had come out that spring, wasn’t selling. After what he called a “crisis meeting” with his label, it sent him to the States. The label made sure to pack the 300-capacity club with big names like David Crosby, Graham Nash and Mike Love of the Beach Boys. “The second night, Leon Russell was in the front row, but I didn’t see him until the last number,” Elton recalled. “Thank God I didn’t, because at that time I slept and drank Leon Russell.”
Neil Diamond introduced Elton. “I’m like the rest of you,” he said. “I’m here because of having listened to Elton John’s album.”
But those who had heard his album had no idea what they were in for: a poetic singer-songwriter with the flamboyance of a rock star. Album tracks like “Take Me to the Pilot” and “Sixty Years On” were played with a punk-like energy, Elton falling to his knees like Jerry Lee Lewis and knocking the piano bench over. The set also mixed in standards like “Great Balls of Fire” and “Honky Tonk Women.” And the rapturous reception he received encouraged him to experiment with even more adventurous stagecraft. “He seemed like a very quiet, subdued person,” says drummer Nigel Olsson. “All of a sudden, in front of an American audience, he started wearing Mickey Mouse ears and jumping up and down. That’s where all the strange gear started.” Unlike Elton’s debut album, which was packed with lush strings, harp and a synthesizer, he performed that night accompanied only by Olsson and bassist Dee Murray. “We just made a lot of noise,” Murray told Rolling Stone in 1987. “It was new. Elton was experimenting. Plus, we had to make up for the orchestra. We just socked it to them.”
Elton played five more nights as word started to spread around town: “His music is so staggeringly original,” Los Angeles Times music critic Robert Hilburn wrote. In the coming weeks, “Your Song” began climbing the charts, eventually hitting Number Eight in January 1971.
Forty-seven years later, Elton still looks back fondly on that first trip to America. “It was just all systems go,” he says. “Nothing was impossible. You’re working on adrenaline and the sheer fact that you’re a success. I still love what I do, and I’m 70 years old. I love it even more.” A.G.